Showing posts with label African. Show all posts
Showing posts with label African. Show all posts

Sunday, September 12, 2021

Appreciation for Kasala Kamara’s Tribute to African Civilization

By Biko Agozino 

I received a signed copy of A Tribute To African Civilization (Atlanta, Sene Press, 1995) from the author, Kasala Kamara, on 10/11/2006 in St. Augustine, Trinidad and Tobago shortly after sharing a panel with him at the Center for Black Arts and Culture conference with delegates from Nigeria. He had just spoken about the energy sector and later that evening, the Honorable PM, Patrick Manning attended an evening reception where he promised to offer help in the energy sector to Nigeria. I shook hand with him later to commend him for the policy of publicly-funded university education for the citizens. 

Some of the Nigerians came with samples of their produce - roasted groundnuts in plastic bottles but with a dose of sand. One wanted to know how he could export cashew nuts to Trinidad and Tobago. Did they not hear the Prime Minister offer help with energy sector? I asked myself. I had just arrived the country a few months earlier to take up a job as a Professor of Sociology at the University of the West Indies. Brother Kasala must have been impressed with my modest contributions as a chair of the panel in which he presented; for he wrote in the autograph to me: ‘To Brother Onwubiko Agozino Positive Vibrations’ and singed. 

That was very touching for a reggae lover like me who understood what groundings with Rasta mean by positive vibration, popularized by Bob Marley and the Wailers in that iconic song. I purposively went to the Caribbean partly to reconnect with brothers and sisters whose ancestors were kidnapped from Africa for four hundred years without any expectations that we would survive and meet again, survivors of the slave raids and survivors of slavery, survivors all. And here was a brother I was meeting for the first time, and he called me, brother. 

A Tribute to African Civilization


 When I read the book, it struck me as an original contribution to knowledge in many different disciplines. Structured into five parts, the book covers in Part I, what is now a consensus among scholars in different disciplines that Africa is the genesis of civilization, science and technology. Such a thesis was argued by Cheikh Anta Diop in the 1950s with three successive Ph.D. dissertations before he was reluctantly passed in France. Like Diop, the author maintains that Black Africa built the ancient Egyptian civilization contrary to skepticism by Eurocentric authors. Kasala went beyond Diop’s theory of state building origins in Africa by delving into his own specialization in International Relations, in which he has published several other titles, to highlight the ancient African origin of diplomacy and international law. 

 Part II highlights the contributions of Africa to the development of world spirituality, morality, ethics and wisdom and how the African conception of God is related to other contributions to civilization. Part III profiles personalities like the Pharaoh, Akhenaton, and Imhotep, the first recorded multi-genius in the world who thrived in a civilization that respected the rights of women without slavery as a mode of production, without prisons, and without racism. 

What jumped out at me most, as a criminologist, is Part IV where the author offers a definition of national security based on the welfare of the people and the roles of Africans in the development of humanism, the family and the wider world. I have cited this part of the book in several of my publications because of its alignment with the decolonization paradigm that I am credited as having helped to develop in criminology following my book on Black Women and the Criminal Justice System: Towards the Decolonisation of Victimisation and also in my book, Counter-Colonial Criminology: A Critique of Imperialist Reason. 

In an editorial essay for the African Journal of Criminology and Justice Studies which I edit for the African Criminology and Justice Association, I answered the question: ‘What is Criminology?’ And I stated that it is ‘A Control-Freak Discipline’. I was invited back to The University of the West Indies, St. Augustine to present this paper as a Keynote Address for the International Conference on Penal Abolitionism. I was told by one of the organizers that the police officers attending were eager to challenge me, and I said to them, bring it on. When one lady officer objected that the national safety officers did not like being painted as the bad guys, I responded that the same bosses that pay them also pay us scholars but the difference is that we are hired to apply our critical thinking to the order of things while they have the mandate to impose order. 

The Chief Judge of the Caribbean Court of Justice who chaired the session privately agreed with many of my recommendations. A radio DJ had made a joke earlier about my call for Reparative Justice by using it as the subject of his daily ‘Tings that make me vex’. This time, he interviewed me live on radio about my call on the Prime Minister to legalize marijuana as reported that morning in The Guardian,  and I answered those who called in to say that it was a gate-way drug by asking them to help to take it out of the gate by making it legal. 

 One of the sources that supported my critique of the obsession with controlling others by criminologists is Kasala Kamara. I cited his revelation that in ancient Egypt, it was reported to the Pharaoh that the principality of Damascus was rebelling and demanding their independence from Egypt. The advisers recommended crushing the rebellion militarily to teach a lesson to other would-be rebels but the Pharaoh invited the rebellious prince to dinner instead. 

After liming (feasting and philosophizing) with him in the royal palace, the rebel prince was asked what his people wanted. He answered that they wanted to be free to govern themselves by themselves. The Pharaoh shook his hands and told him to go and tell his people that they were now independent and free to rule themselves as they saw fit. Compare that with the constant waging of wars through invasion, enslavement, colonization, genocide, and exploitation engaged in by the imperialist West for five hundred years at a huge cost in lives to poor Europeans who were used as cannon fodder around the world and also at home where militarized policing gave rise to the BlackLivesMatter movement worldwide.  South Africa massacred poor people protesting the jailing of President Jacob Zuma for alleged 'state capture' while the proven criminals of apartheid land, gold, and diamond theft and mass murder are forgiven to walk free in a deeply corrupt South Africa.

By forgiving the rebels and granting their request for freedom, the rulers of ancient Egypt avoided putting the lives of their own soldiers at harm’s way and avoided creating enemies abroad through the mass killings of the loved ones of others. The wealth that could have been wasted in such wars were instead devoted to education, the development of canals, science, arts, architecture, medicine and philosophy in the longest lasting dynasties ever recorded in history. I was also borrowing indirectly from this book when I Directed and Produced an award-winning documentary on the banning and eventual liberation of Shouters Baptist Faith in Trinidad and Tobago. 

The documentary, ‘Shouters and the Control Freak Empire’ asked criminologists to explain what crimes the Shouters committed that made the colonial administration to proscribe them, arrest, and harass them just for praising God in their own bell-ringing ways. In accordance with the decolonization paradigm, I suggested that the Shouters were right to see themselves as people who were victimized and abused by the imperialist state for their freedom of conscience, a people who resisted non-violently by holding services secretly in the liberation struggle to regain their freedom, making them deserving of reparative justice. It premiered on Gayelle TV and later won the International Best Short Documentary Prize at the Columbia Gorge Film Festival, USA, 2011. 

 As I look back at the book and the author, I now understand better why he is named Kasala Kamara, which literally means in my Igbo language – complain (Kasala) and let it be known (Kamara), appropriate meanings for the rebellious Igbo man who led a rebellion in Guyana, and the common West African name for great teacher from whom he took his second name. However, the name could also be meaningful in other African languages. 

I came to hear from those carrying commerce that he was one of the Sixth Form student activists who supported the 1970s Black Power revolution in the country to end discrimination against people of African descent. On graduation from the St. Augustine campus of UWI in 1975, he became one of the leaders of the National Joint Action Committee and the book emerged from his 30 part radio program series that he narrated in 1988 in his capacity as Director of the Caribbean Institute of Regional Affairs and International Relations in observance of  African Liberation Day and with a commitment to the re-emergence of Africa as a leading world power. I heard that when the activists were rounded up and put on trial, a Nigerian genocidist army officer who led the genocide against the Igbo in Biafra (in which an estimated 3.1 million died in 30 months, 1967-1970) was said to have been seconded from Nigeria to be one of the military judges that tried the activists. 

I heard that he recommended the death penalty as appropriate because that was what he would do in Nigeria to coup plotters. Prime Minister Eric Williams rejected the death penalty and all but forgave the activists while implementing some of their demands to see Africans hired as bank tellers or air hostesses in Trinidad and Tobago, the only country in the world where people of African descent are officially known as Africans. 

 The forgiveness of the unforgivable is common among people of African descent who went through slavery, colonialism, apartheid, neocolonialism, and internal colonialism without seeking revenge, only reparative justice i9n accordance with the Africana philosophy of forgiveness, compared to Abrahamic traditions that rule out the forgiveness of the unforgivable, according to Derrida. Such apparent forgiveness was not rare in the Caribbean for Fidel Castro was spared after the June 26 Movement failed to capture state power and he, in turn, forgave the captured Bay Of Pigs invaders and sent them back to the US whereas Che was executed after being wounded and taken prisoner. 

Hugo Chavez was forgiven by Venezuela, the first country in the world to abolish the death penalty, and Chavez forgave the military officers who had briefly overthrown him. Granada has also released from the death row, members of the New Jewel Movement who had been sentenced to death for the killing of Prime Minister Maurice Bishop and others that prompted the US to invade the country. Mandela abolished the death penalty while the killers of Chris Hani were awaiting trial and possible sentencing to death. He launched the Truth and Reconciliation Commission to hear confessions and offer forgiveness, but no offers of reparative justice there. 

 Twenty years after the Black Power revolution in Trinidad and Tobago, the July 27, 1990 uprising by Muslimeen activists again rocked the government at the Red Building in Port of Spain. Instead of detaining the leaders without trial or assassinating them as was common practice across the world, the government went to court to try and evict the group from a piece of land that they were occupying without authorization. 

If the government leaders had read this book by Kamara, they would have allowed the Muslimeen to occupy the land and grow their own dasheen or okra and things as they wanted. The government should not be evicting citizens from land where they want to grow food while the same government spends huge resources to import foreign food that the poor people may not be able to afford, or just not wanted by people who want to grow their own. 

 This book was at the back of my mind as a journalist, Nazma Muller, interviewed me for The Express Newspaper on policy options to reduce the mass violence in the beautiful country. I told her that the people were brutalized by history and so it was not surprising that they would be violent.  I suggested that the government could help to reduce the violence by ending the death penalty which brutalizes the conscience of the people, as I argued in a paper written in the country; by ending the war on drugs which escalates violence, by legalizing sex work, abortion, and same sex marriage, the prohibition of which promotes toxic masculinity, and by offering reparations to the descendants of enslaved Africans who got nothing at the end of enslavement. The corrupt, brutal, neocolonial regimes in Nigeria have been prone to be overthrown despite the use of the death penalty as a punishment for failed frequent coups. 

 I heard that some preachers preached against me at church after reading the interview but if they had read this book by Kamara, they would have agreed with at least some of my recommendations. Someone reproduced the interview as a booklet with an artist impression of my interview photograph on the cover and with the title, The Big Bad Book, with copies sent to all the banks in the country, just for so. I was informed that a credit company used the article as the cover for their annual report on bad debts. Huh? Eventually, Prime Minister Keith Rowley bowed to reason by accepting the recommendation of the Caricom Cannabis Commission to decriminalize marijuana for medical uses. I hope that the people of Trinidad and Tobago will have the courage to push for full legalization of marijuana to allow poor women and men to grow it and sell it to tourists during carnival and thereby earn legitimate wealth from which they would pay taxes, as I argued in a written submission to the commission. 

I hope that they will have the courage to abolish the death penalty as we recommended (in a joint paper with David Greenberg of New York University) published in the British Journal of Criminology. When the country of The Gambia proposed to execute 37 people at once, this paper was sent to them with the observation that it was the colonial administration that imposed the death penalty that African countries have retained long after the colonizers abolished it as barbaric in the metropole, partly because there is proof that it is not a deterrent. I hope that this was one of the reasons that made the government to suspend the mass execution. Ent (no be so)? 

 In agreement with the final Part V of the book on the present-day riches and potentials of Africa, I invited Kasala Kamara to guest teach my political sociology class for Graduate Students. The students evaluated his teaching to be of very high quality and if I had stayed longer in the country, I would have recommended that he should be hired as a permanent lecturer. Readers can support his work by asking their libraries to order copies for them if they cannot afford it. Students can also use inter-library loan to access the book and they can write to various departments on campus to raise funding to bring the author as a speaker by Zoom or in person. I recommend the book to all levels of readers. 

 Dr. Agozino is a Professor of Sociology and Africana Studies, Blacksburg, Virginia.

Saturday, May 31, 2014

The Africans of Tobago

By Biko Agozino


An African Tobagonian sister once took me on a trip from Trinidad to the beautiful island of Tobago to learn more about the culture and traditions of the predominantly African people who live there (Trinidad and Tobago is probably the only country that officially identifies people of African descent as Africans). I was expecting to stay in a hotel but similar to the African tradition of hospitality, I was given a bed and home cooked meals in the home of a then 81 year old artist aunt of hers who raised ten children in that three bedroom house the way many African parents do raise large families back in Africa. 

I just heard that she passed away on January 10, 2023, a few days after her 98th birthday. Here was the beautiful young lady posing with my sons and I in April 2009, photographed by her now deceased artist son, Wilcox (who had taken me to the beach on that first visit to make sand sculptures and I made a bridge between the maps of Tobago and Africa). Mama Myrtle Morris will never die, she is immortal just like her paintings. Rest in Beauty.




When I asked her how she could raise so many children in the home that size, she explained that it was not just her ten children but also the children of others who were sometimes dropped off by their parents for all of the summer holidays and she would care for all of them as if they were hers. Once, an immigrant from a different island stayed with her for one month prior to delivering her baby and then left the baby with her for a week but never returned until eight months later to pick up the baby just because the host herself was due to deliver her own baby in the hospital. All this sounds very familiar to an African like me who grew up in the Nigerian countryside.



The sister that took me to the island advised me to have a heavy breakfast because I was going to walk until I dropped but I smiled knowing how much I walked while growing up in Africa. In the end, the sister was the one complaining of being tired from all that walking. First, we walked up to upper Scarborough where the Tobago House of Assembly was located. In front of the Assembly I saw the monument to Mr James, a nationalist politician who allegedly committed suicide after he lost the first independence election. We walked up to the top of the hill to enjoy the breath-taking views of the coastline and view King James Fort which was started by the British in the year 1777 but completed by the French after they defeated the British only to lose the island to the British again around 1831. In those days, the British administered Tobago and Grenada together as one colonial territory until 1854 when it became linked administratively with Trinidad. The hospital that was located at the fort was said to be manned by mostly Nigerian medical doctors at the time of my visit in 2008.



In the evening, a retired son of my hosting mother volunteered to drive us to meet a 91 year old school mate of his mother to hear more about the culture of the Africans who live there. First of all, we stopped to speak with Mr Wendell Buckley, the local member of the House of Assembly who was also the Assistant Secretary for Culture. Although it was a Saturday evening and his constituency office was closed, he invited us to his office and gave an informal interview that I found fascinating. Again, this reminds me of the concept of African time which is known as Trinidad time over there, the idea that time can be flexible and so office hours do not have to run by the clock, that the office can be opened at odd hours to serve the people without demanding for overtime payment or any other reward other than the joy of sharing your own culture with a visiting brother.



Mr Buckley (the name of the Irish priest in my home town, Awgu) told me that he returned recently from a visit to Guinea where he went to study Balenke drumming and where he wept to see the misery and poverty in which his fellow Africans were forced to live in this day and age. He wondered how the chief of the village could be allowed to suffer from leprosy in his 700 year old hut when there is medication in the world to eradicate the disease, why a woman was left to wander about with open lesions on her chest, why the people are made to live in such little huts decades after winning their independence from France under the inspirational Sekou Toure, and whether there is anything his country could do to help his fellow Africans back in the motherland?



But he also wondered how the people could suffer such material deprivation by day and still find the joy to celebrate and honour their ancestors with drumming, singing and dancing by night. Just as I was not allowed to lodge in a hotel during my visit, he was also provided accommodation in the hut of one of the families during his visit to Guinea. He wondered why our ancestors suffered such unimaginable cruelty during slavery only for their descendants to enjoy a much higher standard of living than many of their fellow Africans back in Africa today.



Then he described in detail, the ‘salaaka’ feasts honouring the ancestors that I am so familiar with in my Igbo culture. He said that you will find similar feasts throughout the Eastern Caribbean where it goes by different names like Communa festival in Jamaica and Congo festival or salaaka in Tobago. The people of Tobago known as Congo people originated from Igbo, Ashanti, Congolese, Mandinkes and Dahomey enslaved people. He proudly asserted that his grandfather was a ‘Congo Boy’ - a reference to the belief that he was a pure African who did not mix with the other ethnic groups unlike the ‘red people’ who descended from Igbo women that the Europeans raped while they worked as enslaved people in the houses of the masters. He suggested that most enslaved people in Barbados were Igbo and Congolese while Jamaicans were mostly Ashanti but Tobago is more diverse.



Part of their cultural tradition from Africa was the strong belief in ‘obeah’ or protective rituals and invocations that are done under the strict guidance of elders. The water for libations is usually left for seven days in the dew and then taken to a crossroad with four junctions to pour libations to the ancestors. Anyone who grew up in the African countryside will be familiar with the significance of the cross roads as a preferred site of ancestral offerings while the symbolism of the number four in Igbo cosmology with four market day week was not lost on me. From the road intersection, the ritual moves to a sacred compound where some animals are slaughtered and sometimes the blood is poured down a hole in the ground although some no longer allow the sacrifice and insist only on the feast.



There is drumming and chanting until the spirits of the ancestors seize someone and makes the person to ride with them until the person is exhausted and drops. The person speaks in tongues, as many Africans back home continue to do even in churches today, to reveal the wishes of the ancestors who might counsel against a certain course of action or support it as the case may be. Following that, the people would give thanks to the ancestors for their guidance and feast on roasted pork until the morning.



Mr Buckley later took us to see the 91 year old woman who lived above Congo Hill but we traveled along a road called Top Hill Road which translates literally to Enugu, my home state in Nigeria. The English would have said Hill Top but the Africans were probably translating from their own language when they named it Top Hill or Enugu. As soon as we got there, the old woman asked us to show some love by giving her presents and the politician explained that Africans consider it rude to visit an elder without presents. What amazed me was that as soon as I put my hands into my pocket, the old woman correctly mentioned the amount of money I was going to give her!



She offered us something to drink and we each had a glass of water. Brother Buckley brought out two drums and gave one to the elder. They both started playing and chanting and I was almost convinced that some of the words were Igbo words that I could recognize and the words meant the same thing in Igbo (although the sounds could mean something different in other languages too)! For instance, in a fertility chant in which women were supposed to call for salt water (sperm) to be given to them while gyrating and the men were supposed to follow by chanting ‘Mama Kalukalu (penis in their local dialect) Keliwe (erection in Igbo), I was simply amazed. As if reading my thoughts, the old woman launched into the most energetic drumming that would shame many young men, chanting ‘Igbo lele’ or simply; be vigilant. the Igbo, in my language or something like that (and I understand that this was one of the rallying chants of the Haitian Revolution). Her final chant was about Jonah surviving in the belly of the beast on his way to Nineveh and Mr Buckley explained that the enslaved used such metaphors to deceive the slave-holders into thinking that they were worshiping the white man’s God while they were performing their ancestral rituals.



Finally, the old woman told the story of Gangan Khan who is a mythical figure in Tobago and who was said to have flown from Africa to the island but could not fly back because she ate too much salt. The symbolism of this for excessive salt consumption by the enslaved who were fed salt-fish by the Europeans and the high incidence of hypertension among people of African descent was noted. They said that there is a grave where Gangan Khan was buried but I did not visit it on that occasion. Mr Buckley said that he regretted that he could not learn how to fly when he visited Guinea and I told him that there is always the airline. When next I visited I planned to try to see the grave of Gangan Khan and perhaps attempt a documentary film about the narratives or the people.

Fuss a August: Emancipation Day Commemoration



My hosting mother told a story about an old African woman, Mamu, who lived on Congo Hill and who did not speak a word of English. She always celebrated Emancipation Day on Fuss a August (August First) every year by dressing in royal African garbs and running down the streets only to put the clothes away until the next Emancipation Day commemoration. This sounds like a scene out of a movie and I was amazed that an island with such magical tales does not have a thriving film industry. I was tempted to start filming all the wonderful scenes that I encountered there but I did not have a camera that time around. Sadly the then 91 year old drummer passed away before I could return to film her.



Dr Biko Agozino is a Professor of Sociology and Africana Studies, Virginia Tech. He was a Professor of Sociology, Deputy Dean for Research and Graduate Studies, Faulty of Social Sciences, Coordinator of the Criminology Unit, and Acting Head of Department of Behavioural Sciences, The University of the West Indies, St Augustine, Trinidad and Tobago, at the time of first writing in 2008.

The celebration of the life of Mother Myrtle Morris took place on 01.23.23, and the lovely event was live streamed on Youtube.


Wednesday, February 20, 2013

Malaika, My Angel


 
By Biko Agozino

I am using Toyin Falola, et al, Africanizing Knowledge, as a text for my Introduction to African Studies class. This week, we are discussing chapter 8, ‘The role of traditional music in the writing of Cultural History’ by Maurice Amutabi. We started by asking the students to list their top ten US songs that could serve as an introduction to the cultural history of America.



Then we played and discussed Miriam Makeba’s rendition of the Tanzanian song, Malaika. The students did not know any Swahili word but after listening to Makeba’s introductory translation and after watching the subtitles that accompanied the song, they learned that Malaika means my Angel and that the song says repeatedly, I love you my angel, I will marry you my angel, even if money is scarce. Very appropriate theme in the Valentine season, I guess.



During the class discussion, I gave the song a political spin by suggesting that Makeba was not simply talking about romantic love but about the love of the motherland and that her Angel in the song was no other than the freedom fighters. The Powerpoint slides accompanying the song complicated this reading by inserting the picture of Kwame Toure (Stokely Carmichael) exactly where Makeba sang, ‘I will marry you my Angel’. But then, Toure who was married to Makeba for real, was actually a freedom fighter too just like Makeba herself.

 



To radicalize this political reading of a folk song further, a student in the class sent me a video of a Ghanaian song in which the singer, Ruff N Smooth, woos his ‘Naija Baby’, asking for her number so that he will ‘halla’ and promising to take her to Ghana to show her to his mama. But the song also supported my thesis of a subtext of political consciousness when the artist sang that whether you are from East Africa, North Africa, South Africa or West Africa, we are one people. ‘I don’t care where you come from, don’t care where you born’, the song concluded just like Peter Tosh, in the Pan African anthem of his, ‘African’. I told the student that the song was an echo of the call by Kwame Nkrumah for Africans to Unite, a call that Bob Marley also echoed directly in ‘Africa Unite’, and the student agreed.



Nick Hornby theorized in Fever Pitch that a good way to read the character of a person is to ask the person for their top ten songs. Mine were mostly political songs but my students included the US national anthem, which is no less political, as part of the US cultural history. I agree with them. Amutabi could have made my task easier by not defining traditional music too narrowly to mean folk songs. How about Fela Kuti (Beasts of No Nation), Alpha Blondie (Peace in Liberia), MzwakheMbuli (Land Deal), Sonny Okosun (Papa's Land)? I think that they are also traditional African music with veritable history lessons. So also is the music of the African Diaspora, including Hip Hop in Columbia with the signature African call and response backed by the rhythm of the drums and base.



One student suggested Tuface’s ‘My African Queen’ and they told me that it is a good pick-up line. Then I asked them if they would normally pick up a queen or campaign for her to be elected into office to help offer more effective leadership where the male dominated public office holders appear to be failing? We concluded that although it is a romantic croon, it lends itself to political radicalization in support of the African Union Parliament where men and women have equal representation. This challenged the US students to wonder when America would elect their first female Head of State like Liberia, the UK, India, Pakistan, Israel, Brazil, Germany, Argentina, Malawi, Jamaica, Trinidad and Tobago.



I invite the readers to share with us their top ten songs and tell us why they love those songs. Do you think that I am over-interpreting the political symbolism of the lyrics? Of course, not every song has a political symbolism, I just get drawn to those that do so more than to others. And even when I see the winning of the waist during carnival or on the video CDs of Congolese jazz musicians, I still manage to read the politics of gender into the gyrations. Correct me if I am wrong. But enough about me, let us hear your top ten.